"And setting Yank’s death scene to one side at the rear of the stage (with painterly lighting amid darkness, by Aron Deyo and Michael McGee) makes for a poignant and artful anticlimax." - Ben Brantley

"The lighting is like a Gordon Craig dreamscape, with fog and shadow as the dominant "colors" - the same elements that Gregg Toland emphasized in his chiaroscuro cinematography for John Ford's "The Long Voyage Home" (1940), which was also based on the "S.S. Glencairn" plays. (The lighting designers are Aaron Deyo and [Kate] McGee and their work is essential.)" - Hilton Als

Henry Hewes award Nomination