Directed by David Herskovits

Set by Carolyn Mraz 

Costumes by Dina Al Aziz

Jesse Freedman is the Sound Demon! 

"Carolyn Mraz’s set of many movable parts is lighted with homey magic by Kate McGee (love the descending grape-cluster bulbs)." - Ben Brantley - The New York Times

Written by - Dianah Oh

Directed by - Orion S Johnstone and Dianah Oh

Scenery - Carolyn Mraz

Sound - Brendan Aanes 

Rattlestick Playwrights Theater

"In this bubble-blowing, confetti-throwing show, the lighting (by Kate McGee) keeps things gorgeous, with a breeze softly riffling the set’s tinsel-curtain backdrop." - Laura Collins Hughes, the New York Times

A Hunger Artist 

Adapted from the Kafka Short Story By - Josh Luxemberg 

Performed By - Jon Levin

Directed By - Joshua William Gelb

Scenography - Peiyi Wong

Sound By - M. Florian Staab

"The show is remarkably well designed ... Kate McGee’s lighting draws on a whole palette of luminosity, from the lone ghost light standing sentry to the dazzling whiteness that emanates, for a few startling moments, from beneath the stage. Long shadows abound, and so does a kineticism that combines superbly with the sound design (by M. Florian Staab, based on Mr. Gelb’s design) to transport the action from one milieu to the next. The final, clever image is one of light and moving shadow — technically simple, indelibly dramatic." - Laura Collins Hughes, the New York Times

“Director Joshua William Gelb and the company use “poor theater” conventions of making much with little—props emerge from battered suitcases, a big set reveal involves four strings of Christmas lights—and the result is homemade, tatty and warm. “ - Helen Shaw - Timeout New York

"And setting Yank’s death scene to one side at the rear of the stage (with painterly lighting amid darkness, by Aron Deyo and Michael McGee) makes for a poignant and artful anticlimax." - Ben Brantley

"The lighting is like a Gordon Craig dreamscape, with fog and shadow as the dominant "colors" - the same elements that Gregg Toland emphasized in his chiaroscuro cinematography for John Ford's "The Long Voyage Home" (1940), which was also based on the "S.S. Glencairn" plays. (The lighting designers are Aaron Deyo and [Kate] McGee and their work is essential.)" - Hilton Als

Henry Hewes award Nomination

Directed by - Dara Malina

Set Design - Blake Palmer

Sound Design - Nolan Lem

Costume Design - Holly Rihn

Video Design - Justin Drobinski

I toured as the lighting Designer for Esperanza Spalding's Emily's D+ Evolution Tour in the fall of 2016. 

We played 30 dates, including shows in Santiago Chile, Buenos Aires Argentina, Sao Paolo Brazil, Lima Peru, Bogota Columbia, and extensive dates in the US. 

Directed by David Herskovits based on the 1001 Nights

Sets - Carolyn Mraz

Costumes - Dina Al Aziz

Sound By David Herskovits and Eamon Goodman

Directed by - Whitney White

Set - Daniel Soule

Costumes - Andy Jean

Sound - Lee Kinney

Produced by New Georges at the Flea

Directed By - Debbie Savietz

Written By - Stephanie Fleishman

Set - Marsha Ginsberg

Sound - Brandon Walcott and Tyler Kieffer

Costumes - Olivera Gajic

Directed/Adapted By Whitney White

Set by Dan Soule

Costumes Andy Jean

Bard College

Directed by - Juan Pablo Souki

Sets By - Ika Avaliani

Written and devised by the company for Miami New Drama.

Directed By - Vivien Benesch

Scenery - Jim Findlay

Costumes - Grier Coleman

Sound - Justin Ellington

Directed By: Kate Bergstrom

Scenery: Patrick Lynch

Sound: Janie Bullard

Costumes: Olivera Gajic 

Photos: Mark Turcek

Carnival of the Animals

The Miller Theater at Columbia University

Designed and Directed by - Lake Simons

"Justin Townsend’s brilliantly simple set echoes Francesca’s forgetfulness. She can only remember things if she has to imagine them, and the set puts us in her shoes, forcing us to imagine everything. Michael McGee’s lighting design counteracts the simplicity of the set by establishing a clear atmosphere for each new scene, from the dreamily dim dance sequences to the flickering overheads of the supermarket." - Theater is Easy

Director - James Palmer

Set Design - Deb O

Sound Design - Chad Raines

Directed By: Elena Araoz

Scenery: Justin Townsend

Sound: Nathan Leigh

Costumes: Christopher Verega

Design, Puppetry, and Direction - Lake Simons

Original Score - Courtney Bryan

Directed by - Knud Adams

Scenery by - Gordon Landenberger

Sound by - Theda Hammel

Co Domed by Diana Oh and Kevin Hourigan

Set By Carolyn Mraz

By Caridad Svich

Directed by Mauricio Salgado

Lighting And Scenery by Kate McGee

Sound by M. Florian Staab

Costumes by An-Lin Dauber

A New Play by Rajiv Joseph

Directed by - Giovanna Sardelli 

Set by - Brendan Boston

Costumes by - Michelle Roy

Sound by - Daniel Kluger

Directed by - Cat Miller

Scenery by - Carolyn Mraz

Directed by - Pam Berlin

Set by - Blake Palmer

Costumes by - Brynn Almi

TMT Lab - The Iceman Cometh - Act I

Lead Artist - Julia Sirna-Frest

Set by - Christopher Heilman 

Costumes by - Alice Tavener 

Sound by - Gavin Price

A new Piece by Dalia Taha

Directed by - Caitlin O'Connell 

Set by - Sara Ossana 

Costumes by - Anya Sokolovskaya

Sound by - Alex Eizenberg